Searchfrom Koe No Katachi stock photos, pictures and royalty-free images from iStock. Find high-quality stock photos that you won't find anywhere else. Mengisahkantentang Shoya Ishida, yang bersama teman sekelasnya melakukan penindasan (bullying) terhadap murid pindahan yang tidak bisa mendengar, Shoko Nishimiya. Namun, suatu hari seisi kelas mengubah target penindasan berubah menjadi Shoya. T Koeno Katachi. It sounds weird to talk about 'the disabled community', as if we all congregate in a gated suburb and have bingo night on Saturdays, but there's no euphemism for any minority that doesn't sound asinine anyway so, yeah—I'm part of the disabled community. That's probably one of the reasons why Koe no Katachi, Kyoto KarakterAnime Perempuan Paling Cantik. Oke di pembahasan kali ini gw bakal ngasih kalian semua " penyedap mata ". Ya sesuai judul diatas gw bakal ngasih beberapa nama karakter perempuan yang memiliki paras wajah cantik. Disini urutan nomer bukan sebagai patokan tercantik atau tidak dan juga gw ngk ngasih penjelasan tentang karakternya. Listabout characters of Koe no katachi (a silent voice)In this list about characters of Koe no katachi (a silent voice) you can find:13. Naoka Ueno12. Miki Vay Tiền Trả Góp 24 Tháng. Yuzuru Nishimiya 西宮 結弦, Nishimiya Yudzuru? is a major character in the Koe no Katachi series. She is the younger sister of Shōko Nishimiya and a third-year junior high school student 9th grade, but rarely attends, instead taking photos with her camera around town. She is also the second daughter of Yaeko Nishimiya and granddaughter of Ito Nishimiya. Biography[] Yuzuru became interested in photography at an early age, fascinated by the camera she received from her grandmother and how it works. Through years of teaching herself, Yuzuru has become a surprisingly good photographer for her age, winning first place in a local photography contest. Though the reason is unclear, Yuzuru stops attending junior high and becomes solely interested in messing around with photography. It’s shown that Yuzuru almost exclusively took photos of dead animals and insects for a majority of the series, which is later revealed to be an attempt to show the gruesomeness of death and dissuade Shōko, who expressed a desire to die when they were younger. After Shōya recovers from his coma, she is given a chance to return to school and decides to take it, not wanting worry her sister anymore. Personality[] On the surface, Yuzuru appears to be rather abrasive, brash, and cold towards people she dislikes or is suspicious of. However, her behavior is actually a defense mechanism to both protect her older sister and hide the more vulnerable and uncertain parts of herself. It’s implied through several interactions that Yuzuru struggles with friendly encounters, finding it hard to open up to people she is unfamiliar with. However, after Shōya begins earning her trust, Yuzuru reveals herself to be a kind and sweet girl who cares deeply about the people close to her. When Yuzuru opens up, she shows a lot of compassion and empathy that fuels her desire to protect her loved ones. Initially, her compassionate nature was exclusive to Shōko, but appears to have extended to Shōya as their bond began to grow over time. Yuzuru struggles with understanding herself, choosing to invest her time into her sister rather than herself. However, the end of the series shows Yuzuru finally beginning to become her own person and allowing her sister to explore who she wants to be. Physical appearance[] Yuzuru is a rather short girl for her age, having a small build and fair skin. She keeps her jet black hair cut short of which the longest part ends at the nape of her neck and then goes back up to the front locks that end on the bridge of her nose. Her androgynous appearance causes her to be mistaken for a boy, a trait she uses to trick Shōya into believing that she is Shōko's boyfriend. List of Appearances[] Volume 02[] Chapter 08 — "Friends?" Chapter 09 — "The Right To Be Here" Chapter 10 — "That's Just Great" Chapter 11 — "That Face" Chapter 12 — "Sis" Chapter 13 — "Struggle" Chapter 14 — "Yuzuru Nishimiya" Volume 03[] Chapter 15 — "Better News" Chapter 18 — "I Don't Care in the Least" Chapter 20 — "Reason" Chapter 21 — "Pretend Friends" Chapter 22 — "I Want to Know" Volume 04[] Chapter 24 — "Change" Chapter 25 — "Just My Imagination" Chapter 26 — "Birds of a Feather" Chapter 27 — "Hate" Chapter 28 — "Reply" Chapter 29 — "Granny" Chapter 30 — "Support" Chapter 31 — "Letter" Chapter 32 — "Gum Syrup" cameo Chapter — "Sisters" Volume 05[] Chapter 34 — "I Don't Want to Go" Chapter 36 — "What I Wanted" Chapter 37 — "Now and Forever" Chapter 38 — "Jumping at Shadows" Chapter 39 — "Just Some Passerby" Chapter 40 — "Pretend Date" Chapter 41 — "Everyone" Chapter 42 — "Fireworks" Volume 06[] Chapter 44 — "Blight" Chapter 45 — "It Was All For Nothing?" Chapter 46 — "Tomohiro Nagatsuka" Chapter 51 — "Shoko Nishimiya" Volume 07[] Chapter 54 — "To You" Chapter 55 — "Homecoming" Chapter 56 — "Going to School" Chapter 57 — "Reunion" Chapter 58 — "Results" Chapter 59 — "The Future" Chapter 60 — "Nobodies" Chapter 61 — "Graduation" Chapter 62 — "A Silent Voice" Hobbies[] Photography Relationships[] Friends[] Shōya Ishida Yuzuru hated Shōya at first, believing his desire to befriend Shōko was purely for self satisfaction. She uses several tactics to prevent Shōya from seeing her sister, including lying about being Shōko’s boyfriend and getting him suspended from school. Yuzuru begins to warm up to Shōya after she runs away from home when she and Shōko get into a fight over Shōya getting suspended. Shōya shows her kindness despite learning she was the one who got him in trouble and the two continue to hang out after that, eventually becoming friends. Their bond continues to grow as Yuzuru and Shōya come to trust each other a lot, with Yuzuru becoming very appreciative of Shōya’s friendship with Shōko and supports the possibility of him dating her sister. When Yuzuru is struggling to cope with her grandmother’s death, Shōya is the one to comfort her and help give her the courage to return to the funeral, further cementing their close bond. After Shōya recovers from his coma, Yuzuru asks him to help her study so can do better now that she’s back in school. Now having a connection similar to an older brother and younger sister, the two are able to confide in each other and come to terms with Shōko wanting to move to Tokyo after graduating. Tomohiro Nagatsuka When they first meet, Yuzuru immediately dislikes Tomohiro due to him being friends with Shōya, a person she initially hated. The two bicker during their first interaction, which causes Shōko to notice that Shōya came back to see her and meet him on the bridge. Even after Yuzuru warms up to Shōya, she still teases Tomohiro, though their banter is playful rather than hostile. Miyoko Sahara Miyoko introduces herself to Yuzuru in Chapter 18 after Yuzuru notices her hanging out with Shōko and Shōya on the bridge. Miyoko’s sincere behavior causes Yuzuru to become bashful, though the two become friends after this interaction. Once Miyoko begins joining everyone on the bridge every week, she and Yuzuru get comfortable around each other and even conversate among themselves while watching Shōko and Shōya interact. Family[] Shōko Nishimiya Yuzuru and Shōko share a very close bond, both sisters caring deeply and wanting the best for each other. For a long time, Yuzuru has acted as Shōko’s self-imposed protector despite being the younger sibling. She has no issues lying or retaliating against others if it means protecting Shōko, though this can sometimes go against her sister’s wishes. Much like other siblings, they are prone to getting mad at each other and arguing, a key example being Shōko’s anger at Yuzuru when she got Shōya suspended from school. Despite this, Yuzuru still does her best to look out for her older sister, perhaps not fully realizing that Shōko is capable of taking care of herself and is looking out for her as well. After Shōko begins to recover from her depression and feelings of self-loathing, she heavily considers moving to Tokyo in pursuit of her dream of becoming a hairdresser. Though Yuzuru is uneasy and sad at the thought of her sister moving so far away, she’s grateful that her sister is thinking about her own future and wants to give her the chance to be happy, especially after Shōko gave her the chance to give school another shot and begin being her own person. Yuzuru is also surprisingly supportive of Shōko’s feelings for Shōya and the idea of them dating, helping her sister practice speaking aloud so can use her voice to confess. Yaeko Nishimiya Yaeko is Yuzuru and Shōko’s mother, though she has a rather distant relationship with both of them. Yuzuru believes her mother is aloof and uncaring, especially with her. However, this belief stems from a lack of understanding despite how similarly the two deal with their emotions, something Ito Nishimiya points out in the letter she wrote to Yuzuru before passing away. In truth, Yaeko loves both of her children deeply but has created an emotional barrier due to her own struggles as a single mother. Yuzuru is unaware of this for a long time due to young age, instead growing to resent her mother. The two grow closer after Ito dies and Shōko attempts to take her own life, with Yaeko beginning to act more motherly despite still being reserved and Yuzuru finally beginning to understand her mother. Ito Nishimiya † Ito took care of both Yuzuru and Shōko while Yaeko worked to provide for them, causing both girls to become very close with their grandmother. To Yuzuru, Ito understood her more than Yaeko could and was the only person besides Shōko that she cared deeply about for most of her life. However, Yuzuru’s heavy investment in Shōko caused Ito to worry that her granddaughter was neglecting herself. In their final conversation together, Ito tells Yuzuru she should try to learn more about herself, something Yuzuru seems to take to heart after her passing. Etymology[] The name Yuzuru means "to tie" 結 yu and "string" 弦 zuru. Yuzuru's surname Nishimiya means "west" 西 nishi and "temple, shrine, palace" 宮 miya. Trivia[] Yuzuru's camera looks exactly like the Nikon D3300, and the lens was Nikkor 55-250mm VR Yuzuru was deliberately given a masculine name, and was raised as a boy by their mother, so as to supposedly protect and defend their older sister, Shoko. In the Japanese language, the first name 'Yuzuru' is masculine, and means to yield to or give up possession of one's rights or heritage. Yuzuru was forced to give up her femininity, making the name so appropriate. The 3-letter title was used as an identification code when Ushio the composer was composing the music and getting feedback in the movie production. [1] Although it's a premise of concept-based composition, at first, like my ordinary work, my job was to write a whole song and gave it to them. Since the song would be selected according to the movie scene, I put a 3-letter title as an identification code. ... while it doesn't answer the question at all, that's the very reason why he chose to use it. [1] Because it's not based on orders, I wanted them to use it without giving any pretext such as "this is the meaning of the song". With that remnant, I also wanted the listener of the soundtrack to have same thought. However, Ushio explained that it's not random at all. [1] However, it's not a random 3-letter word. "htb", the 12th song on 1st disc, is another version of "heartbeat" from the 1st song on 2nd disc. The hints are more or less there. The first and the most important song is "inv". [2] While Bach's Inventions can be considered as a musical excersise for fingering, at the same time, at that time period, it's also a collection of song to understand the beauty of clavier piano song. After it's understood, it became a base to create such a beautiful clavier song. I thought it's matching with the movie's theme. Therefore, the "Invention" was played along the whole movie. That become the "inv" tracks. Since "Invention" can be analyzed separated into 3-part, I also separated the movie into 3 parts. Each part has its own "Invention". However, "inv" is not a whole "Invention" itself, but it depends on the context of the movie. For example, when somebody said "This scene's "inv" uses only the tone row of "Invention" part 1", I disassembled and rebuilt the song. Spoiler ahead the meaning of the song related to the movie, including the ending After Shouya overcame his guilt in primary school, he created a new way of communication. The story is about "communication practice", so I used musical exercises. The song was based on creating a whole new world when practising the communication. When thinking about it, Bach's Inventions Inventions and Sinfonias came to my mind. Regarding the ending, when Shouya and Shouko entered the cultural festival, the last-7 measure of "Invention" was played, and that's the first time the whole figure of "Invention" was known. At that time, Shouya's "practice" was over. The only other title which was explained was "lit" [1] The last song "lit", which was only played 2 times, means "light". This movie, which is about achieving the light, ended with this song attached. [1] Interview after the screening Japanese [2] Interview on official site Japanese

nama karakter koe no katachi